Riders of Justice review

Riders of Justice pushes its synthesis that a chain of trivial causes can lead to events happening in the grandest of scales by having its plot elements emerge out of the blue. If that’s ironic, it is. Coming from an initial stance that causality is true, the film in its point of crisis flirted withContinue reading “Riders of Justice review”

Night of the Kings (La Nuit des rois) review

Ivory Coast’s third submission to the Academy Awards’ Best International Feature Film category is like a fairy tale. But for a film that highlights an actual fairy tale story as the cream of its plot, Philippe Lacôte’s Night of the Kings (La Nuit des rois) works best when you focus on the ritual of storytellingContinue reading “Night of the Kings (La Nuit des rois) review”

Quo Vadis, Aida? review

Quo Vadis, Aida?, the Bosnian entry for the Best International Feature Film at the 93rd Academy Awards, gives light to the events leading up to the 1995 Srebrenica genocide which resulted with the deaths of more than 8,000 Bosnian Muslims. The protagonist is the titular Aida, a translator for the UN trapped in the centerContinue reading “Quo Vadis, Aida? review”

IFFR 2021 – Covering an (online) international film festival for the first time

When I got accepted as an accredited press for the 50th edition of the International Film Festival Rotterdam, my plan originally entailed writing a conventional review each for all the films I would be watching in two feature categories. Plans changed when I still haven’t got a groove on what I would write about aContinue reading “IFFR 2021 – Covering an (online) international film festival for the first time”

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